You could tell they were trying but energy was severely lacking. (III) was an attempt at a darker, brooding sound that often failed to hit home in its supposed seriousness due to how weak and meandering the beats and melodies were.
#Good times crystal castles lyrics how to#
Not that this similarity is a bad thing, as Crystal Castles seem to have worked out how to meld their previous styles into a cohesive whole rather than just repeat their old work. These grating moments are much more common here and call-back to tracks like “XXZXCUZX ME” that were indecipherably noisy, although with a more aggressive than spastic tone. “Chloroform” for example is a mostly unsettling track that harkens back to (III)’s sickly feel, but its heavily distorted closing barrage is Crystal Castles at their most serious and confrontational. True, some meaning can be gleamed from lyrics such as “glow through the veils”, which according to Edith is about empowerment through woman wearing the burqa as a choice, but for the most part it’s the newly abrasive edge that hints at a darker theme. How this manifests itself is largely through the music as Edith’s lyrics are just as cryptic and generally ambiguous as Glass’s were. Even when her vocals are imbued with any sort of energy they sound similar to Glass, her pained shouting often smothered with a shimmering wall of terse synth that creates a pretty chaotic and grabbing mix I’ll admit, but is still undeniably reminiscent of earlier songs.įurthermore, just as (III) focused on oppression (the cover was of a tear gas victim), Amnesty (I) is about human rights violations, with all the physical proceeds going to Amnesty International. Edith, although competent, is eerily similar to Glass in her vocal style, with much of the album featuring the same laid back, drifting vocals that were heavily present on (III).
#Good times crystal castles lyrics full#
Secondly, it’s their only full length to not be self-titled, implying that this is a conscious effort to begin anew, a fresh start for a band that was mired with mudslinging after Alice’s departure.Īlthough really that’s just about where the major differences end, as Amnesty (I) may as well have been called Crystal Castles (IV) for all intents and purposes. Firstly, it’s their premier full length since the departure of vocalist Alice Glass, with replacement Edith Frances taking up vocal duties for the first time. Review Summary: Amnesty (I) sees Crystal Castles return with a new vocalist and a renewed sense of energy.Ĭrystal Castles’ fourth LP Amnesty (I) stands out from the rest of their discography for a couple of reasons.
0 kommentar(er)
